Dexterous and surprising, it’s never clear where her tale will steer next; one moment she’s brutally honest, the next she’s cracking jokes. Shame: sweaty, gnarled and chronically allergic to shirts. (Experimental & Modern Composition), Consequence of Sound's Top 100 Albums Ever, NPR Music's 150 Greatest Albums Made By Women, Paste's 100 Best Indie Folk Albums of All Time, Paste's 50 Best Alt-Country Albums of All Time, Paste's 50 Best Post-Punk Albums of All Time, Pitchfork's 33 Best Industrial Albums of All Time, Pitchfork's 50 Best Ambient Albums of All Time, Pitchfork's 50 Best IDM Albums of All Time, Pitchfork's 50 Best Rap Mixtapes of the Millennium, Pitchfork's 50 Best Shoegaze Albums of All Time, Pitchfork: The People's List - Top Albums 1996-2011, Rolling Stone's 100 Best Albums of the 1980s, Rolling Stone's 100 Best Debut Albums of All Time, Rolling Stone's 100 Greatest Metal Albums of All Time, Rolling Stone's 40 Greatest Punk Albums of All Time, Rolling Stone's 50 Greatest Grunge Albums, Rolling Stone's 50 Greatest Pop-Punk Albums, Rolling Stone's 50 Greatest Prog Rock Albums of All Time, Rolling Stone's 500 Greatest Albums of All Time, Rolling Stone's 500 Greatest Albums of All Time [2020], Slant Magazine's 100 Best Albums of the 1980s, Slant Magazine's 100 Best Albums of the Aughts, Spin's 125 Best Albums of the Past 25 Years (1985-2009), SPIN's 300 Best Albums of the Past 30 Years (1985-2014), The 100 Best Albums of The Complex Decade, The Guardian's 100 Best Albums of the 21st Century, Pitchfork's 16 Best Ambient Albums of 2020, Yahoo Entertainment's Best Albums of 2020, PopMatters' 20 Best Electronic Albums of 2020. JB, Some 25 years after the release of the seminal ‘Last Splash’, the line-up that made it reunited for The Breeders’ best album in years; a demonstration of terse, taut, and thrilling songwriting that hasn’t lost any power over the years. RD, Kendrick’s go-to saxophonist dropped his second studio album this year, the two-and-a-half hour long ‘Heaven and Earth’. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2018 in music The album was at its best where the two sounds – old and new – combined into something altogether more harmonious, such as on ‘See How’ and ‘Border Girl.’ EA, Few producers in recent memory have had the immediate cultural impact of SOPHIE. A collaboration with Tirzah’s friend and producer Mica Levi (AKA Micachu), Devotion feels intimate to the point of intrusion. A sprawling, stunning journey through Britpop anthemia, classical intricacies and post-rock explosions, all wrapped up in George Clarke’s banshee vocal, ‘Ordinary Corrupt Human Love’ was one of 2018’s most beautiful and bracing releases. This left-field approach (some tracks sound like alternate universe show tunes) is best realised on ‘Everybody’s Coming To My House’, an eccentric ode to the power of community. Modernity may have failed us, but The 1975 have upped their game. MB, Somehow Parquet Courts’ sixth album was among their most cohesive and accessible, despite lobbing space folk, hippy pop, new wave, funk, dub opera, Rio samba, garage rock and a hefty pinch of shouty Strokes into their wonky alt-rock blender. New Releases. The Talking Heads hero turned in a record that, he claimed, was not named ironically – the 66-year-old genuinely still believes in the power of positivity, despite the onslaught of horror-show headlines. Suspiria (Music for the Luca Guadagnino Film) 81. critic score (24) 2019. – the Blur man hit the studio again in the downtime amid heavy touring to quickly turn around sixth album ‘The Now Now’ just 14 months later. Tim Hecker. The Melon Music Awards (Korean: 멜론 뮤직어워드) is a major music awards show that is held annually in South Korea and organized by Kakao M (a Kakao company) through its online music store, Melon.. Con Todo El Mundo, title. Toxic masculinity, Brexit, thug culture, xenophobia – Joe Talbot kicked back against society’s copious modern ills with a passion, power and exuberance that shot Idles’ second album straight to the frontline of the new punk fightback. But not the way they wanted. Club. The arrival of ‘Sweetener’ 18 months later meant songs like ‘No Tears Left To Cry’ couldn’t help but be freighted with meaning, but the real revelation is how out-of-the-darkness joyous it sounds. EH, Genre has no place in Kali Uchis’ world. Full of wearied upset and despair at the world around him, Pierce’s voice captured human emotion at its most vulnerable and downtrodden: “You gotta take the pain / You gotta give it all away,” he sings on ‘The Morning After’, one of the album’s standout tracks. If an internal link led you here, you may wish to change the link to point directly to the intended article. On the other, there’s that White House visit to contend with. HM, Daft Punk-approved dance-rock from Australia via Berlin, Parcels make blissed-out tunes for a life of sunshine, cocktails, discoballs and hijinks. DS, That ‘Palo Santo’ was heralded with a sleek, Judi Dench-narrated video detailing its concept – a dystopia where humans perform in cabaret shows for their robot rulers – telegraphs Years & Years’ ambitions for their imperious second album. Best Albums. Not one listen, not skipping tracks but two or three runs, in full. Bold and brilliant. Chicago art-pop provocateur Ezra Furman’s eighth album (with various backing bands) tells the “half-true memoir” of Furman falling for a transangel and having to go on the run while shadowy government agencies and Nazi gangs hunt the lovers down. Best Albums. There’s sex – the lubricious title track, an ode to bottoming, rides a tsunami of synths, and the ecstatic jam ‘My My My’ is as horny as the first hit of poppers; and love (his danceable-domesticity Ariana Grande collab ‘Dance To This’), but it’s his needlingly honest eye-for-detail lyrics that stand out – on the stark ‘Seventeen’, he outlines his formative experiences of Grindr, where a longing for community sees him seeking refuge in the bed of an older man. singing, rather than barking away, it proved that there’s more to Slaves than just thrashy punk and full-throttle excess. Bolstered by filthy pop production – inspired in part by Jerry Jam and Terry Lewis – Chris’ poetic lyrics address desire head-on. AT, Named in reference to his four years served in the US air force, Jpegmafia’s fourth solo record found the 28-year-old Baltimore rapper reflecting the state of his country in needle-sharp social commentary, from the creeping shadow of gentrification (‘Williamsburg’) to problematic liberalism (‘Libtard Anthem’). MC5, Pavement, Talking Heads, Squeeze, Neutral Milk Hotel – the record came across like a quick-change act of impeccable alt-rock references, yet was unmistakably Parquet, for its erratic/inspired melodic quirks alone. On his damn fine debut album, Maltese crafted near-perfect piano pop with whip-smart lyrics (“Some people think the Earth is flat / But if it were / How come I don’t see you anywhere?”) and the occasional boogie-woogie flourish (we heard Jools Holland smashed up his Steinway in a jealous rage when he heard the funky final 30 seconds of ‘Guilty’). JB, Although her music is commonly referred to as ‘slacker rock’, there’s little chill to the Australian singer-songwriter’s lyrics, which revel in neuroses and anxiety, the juxtaposition forever compelling. Drift's Albums of the Year 2018. Everything is Recorded , artist. But give it another try, because there’s plenty in this experimental, weird little album that suggests Kanye has very much still got it, and he explores his own mental health in a way only he could: “I love your titties because they prove I can focus on two things at once,” he raps, for example. Joy As An Act Of Resistance, title. And, at long last, here it is. TS, Standout ‘You Don’t Walk Away From Love’ sounds like an overly enamoured Status Quo – a good thing – and the title track boasts a gospel choir belting out its titular refrain. RD, Jay Rock’s suffered a lot of setbacks in his career and none of them have stopped him so far. RD. I’d enjoyed the bangers on ‘I like it when you sleep…’, but something about the band hadn’t totally connected. Sounds like Jamie Cullum, but cool, you know? JB, Arguably Kanye’s best team-up since ‘Watch The Throne’, ‘Kids See Ghosts’ saw the prolific 41-year-old partner up with regular collaborator Kid Cudi to craft a condensed and focused record which oozed plenty of vibrancy and vulnerability. EH, You won’t have heard another rock record like this. Then – surprise! RD, A murky, sometimes surreal meander through post-punk, roughed-up country twangs, doomy, dark miserabilia, Goat Girl’s debut album pegged them as far more than one-trick ponies, heralding the arrival of a truly unique and whip-smart new bunch. From the opening coos of ‘Let’s Make Out’ to the hammered-out closing chords and screams of the excellently sweary ‘FUU’, ‘Dream Wife‘ is a record that revels in spontaneity and the sheer magic of three best friends getting together in a studio and having the time of their lives. ‘Clean’ has angsty vocals, playfully distorted outros and lyrics – “I choose to blame it all on you” – that, well, sock you in the face. AT, Dev Hynes’ fourth Blood Orange project continued his fine streak of innovation, and ‘Negro Swan’ let us witness its creator at his most candid and intimate. Now one of the biggest rappers in the world, ‘Invasion of Privacy’ tells the story of Cardi’s rise to the top. Mind. With stone cold bangers like ‘High Horse’ and ‘Butterflies’ who can resist? This is how you really do summertime sadness. A dark, twisted take on goth-rock bleakness, the youthful punk of their past was here shelved in favour of an altogether more intoxicating sound. Safe ballads were out, and fidgety art-pop and daring songwriting hinted that Rae Morris’ future is looking remarkably rosy. As album highlight ‘Bugs’ sides the band with “another let down generation” lambasted with “inaccurate information”, Slaves have quickly become an essential voice. Politically charged and deliciously playful at the same time ‘Dirty Computer’ takes the idea of a corrupted hard drive and runs with it. Despite the pain Pierce sings of, ‘And Nothing Hurt’ is also an album that finds hope in the very darkest of places, capturing the resilience of humans and how they can embrace the fear to work through it, despite the uncertainly of the times we face. AT, Goth-poppers Pale Waves turned in a debut album that was honest, exciting and packed to the brim with shimmering indie-disco classics. Far from than scraps and lunch hour recordings, the aptly-titled record strips away the guest-heavy approach of its predecessor to offer a more direct route to core of Albarn’s sweet and escapist pop genius. 2018 Featured Lists. TS, The undersung grime hero returned with an un-showy album that, in tackling racial discrimination and paying tribute to London, his hometown, assured fans of his staying power. Shame , artist. Yet the airy, amphetamine indie rock of debut album ‘Songs Of Praise’ allowed listeners a (slightly) less slimy passage into the scene, with glistening tracks like ‘Dust On Trial’ and ‘Tasteless’ counteracting the grot rock gore of ‘The Lick’ and the like. COMING TOMORROW: our new interview with The 1975, talking about their chart-topping album, their crazy year and their plans for 2019. Musically, ‘Iridescence’ bounces from howling sirens and brutal bass kicks to barked vocals, almost always offset by the vulnerability conveyed in the lyrics. As difficult a task as this proved, we decided ultimately to choose the albums that we found ourselves turning back to time and again over the last twelve months. TC, “The chicken thinks in mysterious ways,” David Byrne informs us on ‘Every Day Is A Miracle’, and you can’t argue with that. Muse’s ‘Simulation Theory’ (band as ’80s cult throwbacks), Lump (band as fluffy bigfoot) and Arctic Monkeys’ ‘Tranquility Base…’, in which Turner and co played the house Elvis impersonators at a lunar cocktail lounge like a Daily Sport headline come to life. TS, After years of touring, the British dance duo used field recordings from their travels on a soothing record that ought to make you feel more at one with the world. "Album of the Year (Freestyle)", 2018 song by American rapper J. Cole; This disambiguation page lists articles associated with the title Album of the Year. 75. critic score (13) It took me a couple of listens, as every great album should, to fully appreciate ‘A Brief Inquiry…’, but it soon became apparent that Healy and drummer George Daniel have encapsulated the millennial condition through a record that is as diverse as it is a single, unified body of work. ‘Be My Mistake’ moves me to tears. A hefty, distortion-drenched tangle, the Japanese-American musician held up the extremes of heady romance and loneliness against one another, unpacking questions of identity, contentment, and the conventions of indie rock. JB, The final album by the late, great Frightened Rabbit frontman Scott Hutchison, this side-project with members of Editors, Minor Victories and his brother/F’Rabbit drummer Grant took his brutal and introspective poetry into gnarlier terrain to create something much like its Sega console namesake: simple, free of frills, nostalgic, and yet weirdly futuristic at the same time. The 1975 - A Brief Inquiry Into Online Relationships. Turning her sorrow into glass, ‘Honey’ is an strangely euphoric, gentle giant of an album that attempts to make sense of the fall-out. The best music of 2018. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of … Community. The A.V. See which album was named Album of The Year. RD, There were few albums released this year as colourful and dreamy as Vinyl Williams’ fourth effort, a psychedelic fantasy of a record that weaved its way through a kaleidoscope of lush melodies, plush synth textures, and hazy sighs. Genres. 2)’ – and this thrilling, unabashed sense of freedom is precisely the kind of quality that made ‘Kids See Ghosts’ one of the best listens of 2018. A brilliant, expansive offering of contemporary jazz, it’s a compositional masterclass by the musical virtuoso. In her time away the Swedish pop icon experienced two heavy blows of loss in quick succession; she broke up with her long-term boyfriend (the pair have since reunited) and lost her bandmate and collaborator Christian Falk to pancreatic cancer. The Aussie dance pranksters turned in a ‘90s-influenced big beat bonanza with this perfectly crafted collection of bubblegum bangers. EH, Cardi B’s whip-smart debut album ‘Invasion of Privacy’ is filled with witty braggadocio, and understandably so; the last few years have taken the Bronx rapper from rags to riches. Catch Tirzah live at a handful of UK dates and European festivals in 2019 where she’s guaranteed to find more fans. The White Stripes. Creating what should certainly be one of the year’s most enduring debuts, five slick-but-cheeky surf dudes arrived in style with collection of playful but considered poolside pop. ‘Sincerity is Scary’ has spawned a rush in rabbit hat purchases – as ridiculous as it sounds – which just proves the influence of this band. Best dance recording. List Aggregate. While these songs remain untethered to any project, their more jazz-focused direction served as a precursor to what Busdriver would go on to do with Electricity is on our Side .
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